Elm and Soviet furniture

Elm furniture is a very large family, and its position in Jiangnan furniture is very prominent. Especially as a typical representative of Su-made furniture, the importance of beech furniture cannot be underestimated. It encompasses all categories of ancient furniture, each of which contains traces of eucalyptus. Studying beech furniture has become an indispensable new topic in the study of ancient furniture.

It is the most important content of Zhangmu furniture. The ancient furniture of China has undergone unprecedented changes in the late Ming and early Qing dynasties. The structure and decoration have deviated from the laws that the ancestors followed for hundreds of years. The Qing Dynasty treated the furniture like a guest, while the Ming Dynasty regarded the furniture as the main person. The owner can be free, and the guest needs to dress up. The Qing Dynasty’s respect for furniture made the furniture flourish. The Ming Dynasty’s heavy structure and simple aesthetics were no longer fashionable. The Ming Dynasty furniture of at least three dynasties (Song Yuanming) was in this 200 years. Slowly exited the stage of history.

At this time, the beech furniture played a major role. The beech furniture has an inseparable relationship with the huanghuali furniture and the mahogany furniture. It is only possible to rely on the eucalyptus furniture to find out the fault between the huanghuali furniture and the mahogany furniture. Excellent eucalyptus furniture has certain characteristics of the Ming and Qing Dynasties. For centuries, eucalyptus furniture and huanghuali furniture, mahogany furniture coexist and co-prosper, the supporting role of the Gandang era, with its tenacious vitality to observe the demise of Huanghuali furniture The rise of mahogany. In the interval between their on-the-spot conversion, the beech furniture is not ignorant, and it is still singing and singing, so that it will not be cold, and make a great contribution.

From the Ming Dynasty to the Qing Dynasty, from the early Qing Dynasty to the Qing Dynasty to the Qing Dynasty, the Elm family has a slow and clear development line. This is an imperceptible change. Perhaps even the craftsmen themselves have not noticed it. However, under the influence of the world wind, every living phenomenon is consciously and unconsciously driven by the trend, and people at that time cannot see it. Only today, when we put this phenomenon forward and as a serious research topic, we find that in the face of history and culture, anything that has existed inevitably leaves the mark of the times.

The age of the production of eucalyptus furniture is large and the continuity is difficult to compare with other materials. The most important work in the elm furniture is the excellent work of the transition from the early Qing Dynasty to the middle of the Qing Dynasty. The older styles of eucalyptus furniture are often between the Ming and Qing dynasties. This kind of semi-clear and semi-clear style furniture has not been made of hard wood except for eucalyptus.

This type of style combines the Ming and Qing styles of eucalyptus furniture, which transforms the Ming and Qing dynasty furniture in China. The huanghuali and mahogany furniture can't explain these. The fault between them has long plagued experts and scholars. The end of Kangxi ended in the Qianlong period. This 100 years is the most glorious period in the history of Chinese feudalism. Westerners are also full of interest in China in the eighteenth century. This century of China, the political economy is strong, reflected in such an inconspicuous field of furniture, but also full of magical power. It always has a wealth of information everywhere, injecting the daily necessities of the people into the humanities, making furniture not only a tool for sitting and lying, but a spiritual yearning, a kind of confidence in the pursuit of quality of life.

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