Minimalism returns to American home design

This is a phenomenon as old as the United States itself - we are changing the fashion taste of furniture. At the beginning of the 19th century, the wing-shaped base of the British Regency was subjected to the cold reception of the Americans, replaced by the smoother lines of the Greek minimalist style. Later, the ancestors of our suburbs moved Danish modern furniture into the attic and used trucks to transport heavy Spanish Revival style furniture into the home. Nowadays, we put the fun lava lamps on eBay and then return to the simple lamps made locally.

The Delta IV chandelier from Rich Brilliant Willing's studio is worth $1,840.

Let's call this new American minimalism. It replaced our pursuit of exquisite romance in the 2000s, when the most iconic may be the Dutch brand Moooi, which created knitted side tables and Louis style chairs. It also has little resemblance to the old minimalism, such as the colorful Memphis style that was imitated in the 1998 film "Beetlejuice." It is the best policy to show the true color: the style of the law, the natural raw materials, the structure at a glance and the manual renovation.

Look at the Maxhedron chandelier designed by Bec Brittain. It is actually a piece of unidirectional perspective glass mounted on a steel frame to form a multi-prism. Or the wavy benches designed by Henrybuilt Furniture in Seattle. These benches have soft curves, and the middle plank is also designed as a game board with obvious shackles. Lindsey Adelman, a designer in Brooklyn, New York, says these well-designed details "can make consumers like the people who design them."

Adelman (Britten used to be her employee until last year) is famous for the chandeliers made from hand-blown glassware, which are connected by slender branches. She also produced the "You Make It" DIY luminaire series with off-the-shelf parts. She said, “I have been looking for a simple way, which is probably what most industrial designers think. Because the structure itself is minimalist, the edges must be perfect.”

Adelman's career has become more and more successful, and she has become more and more deeply involved in the exploration of minimalist crafts. At last month's Salone del Mobile, she exhibited 25 candlesticks made of cast brass, which were simply attached to a smooth walnut cylinder made from a lathe. on.

Scott Fellows and Craig Bassam are the owners of the BassamFellows furniture studio in New Canaan, Connecticut, who are also representatives of this minimalist movement. . After two years of business in Switzerland, the two partners returned to the United States and took their manufacturing skills back. The company eventually selected the woodworking and interior decorating workshop in Lancaster County, Pennsylvania, just in the vicinity of the hardwood forest. The convenience of the location means that the designer does not have to travel far. The adoption of local raw materials also helped persuade retailer Design Within Reach to sell two beautiful and very textured ash and walnut high stools a year and a half ago.

Independent studios and big companies are striving to label themselves "made in the USA." Since the mid-2000s, about 90% of the Room & Board companies in Minneapolis have been manufactured in the United States. As of this year, all of its wooden products are made in the United States. One of the series of wood furniture, called Moro, was originally imported from China and is now manufactured by its long-time supplier, Lyndon Woodworking.

One reason behind the boom in US manufacturing is the improvement in domestic production conditions, or at least because there are many problems in producing elsewhere. The high-end furniture brand BDDW's Philadelphia woodworkers and metalsmiths combine solid wood elements with wabi-sabi-style bronze bases and cabinets. Its founder, Tyler Hays, said that after the US recession, wages fell and it was already competitive enough with the increasingly expensive Chinese labor force. "Take a $10 thing from overseas." Come over and you will pay $40 for the oil."

The bookshelf made by Lostine is worth $1,250.

The New York Rich Brilliant Willing Design Studio matches the capabilities of local manufacturers to sell their designs. For example, its Delta luminaire series is produced by a shade factory in New Jersey. Rich Brilliant Willing's products have an impromptu design that licenses their designs to manufacturers with overseas operations, but their co-founder Charles Brill says these opportunities are not being used: some The subtleties are not in place and require more quality control, and the time difference and transportation time will delay prototyping and mass production.

Overall, the decline in domestic domestic costs is enough for BDDW to create more economical furniture and home accessories, such as foldable bookshelves and wooden cutting boards for Lostin Wholesale. Hayes said, “Now our products made in the US are more profitable than those made in China, and the retail price of Anthropologie home stores is huge.” Fab.com, a time-limited website, also showed strong performance in this market. Demand. The site recently sold a gardening tool made by a Montana blacksmith and a forged steel lamp made in Illinois. The site said the lamp had "an unpretentious, minimalist texture and a thick-edged edge."

David McFadden, chief curator of the Museum of Art and Design in New York, sees this simplicity and sturdiness as "a delayed response to the economic situation of the past few years." Los Angeles interior designer Ruth Storc also believes that the new American minimalism captures the timing of conspicuous consumption is basically outdated, and she also said that these designs also reflect the willingness to support the local economy. She wrote the blog "Design Patriot" with her husband, Michael, who is a graphic designer.

She said, “People are interested in everything that is handmade, because they want to know where and where they make things at home. Maybe there is a bit of opposition to globalization and technology.”

Bradford Shane Shellhammer, Fab.com co-founder and chief creative officer who is a direct beneficiary of modern technology, predicts that the campaign will continue: “It’s hard to curb responsible locality. Returning to consumption and returning to mass production without stories."

The sun-style interior design of San Francisco designer Kimberly Ayres may not fit in with the new minimalist lines and clear architecture. She accepts these pieces of furniture precisely because of their contrasting but complementary qualities. “The basic but exquisite lines make the more whimsical furniture jump out, and the quality of the handmade is the foundation,” she said.

It is the flexibility of the minimalist process that has led to the recent collaboration between Chicago-based carpet company FLOR and Brooklyn's small manufacturer Atlas Industries. Atlas's most famous product is probably a combined wall-mounted storage cabinet, and its co-founder Thomas Wright said the storage cabinet resisted the impact of the mass production economy. Atlas is renovating a new chain for FLOR. White's partner, Joseph Fratesi, said the functionality and features of their products would give consumers a "different experience of the world."

Jerry Helling, president of the decoration giant Bernhardt Design in Lenoir, North Carolina, also said that American furniture design has recently embraced simplicity, craftsmanship and sustainability. Bernhardt Design will host an art exhibition called "America Made Me" at the International Contemporary Furniture Fair this month. He also pointed out that the "planned outdated" attitude is still very common in the US furniture industry, so we may soon see more gorgeous furniture. BDSW's Hayes believes that American-made furniture will continue to exist, no matter what style. “American-made furniture is environmentally friendly and economically beneficial,” he said. “Local manufacturing meets everyone’s needs.”

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