Discussion on the visual experience of UV light and PP fog light poster

First, the poster

A poster is a notice posted at a specific location when the group publishes a message. It is also a media that disseminates information to the general public. (Ou Hyo-Ming applied chromatics) It is a kind of print media, there is no sound effect, can only strengthen the message through the shape and color, so the highlight of the color is an important point! People usually look at posters for a short period of time. They want to know the content of posters within about two to five seconds. Therefore, the appropriate increase in brightness, the application of psychological color effects, the use of aesthetics and decorative colors ..... All of these contribute to the effect of communication, which has caused the poster to persuade, identify, communicate, and aesthetically function.
The essentials of posters to create visual appeal:

(a) Adopt correct visual forms for objects and advertising purposes.
(b) The power of contrast.
(C) simple, simple non-monotonous, simple is not necessarily complicated.
(D) to grasp the different freshness, re-combination of new creations.
(e) The power of conflict.
(6) The consistency of form and content makes the attraction profound and meaningful. (Application and discussion of Zou Yongsheng's visual rhetoric skills in graphic design)

Second, the characteristics of the poster

(a) The location of posting can be freely chosen
(B) Make it bold in size and color
(c) long posting time with repeated publicity
(D) can be posted in the same location to enhance visual effects
(5) Suitable for key advertising (Zou Yongsheng's application of visual rhetoric in graphic design and discussion)
Poster color appeal:
Information to convey the color of the product Use the psychological effects of color Strengthen the use of color techniques. The poster must be predictive of the viewer's psychological reactions and feelings in advance, in order to resonate with the content conveyed and the viewer! (Ou Siming Applied Chromatics)
(to be continued)