Carved porcelain pen holder in the Qing Dynasty (picture)

The carvings of the Qing Dynasty can be said to be a great success in the past, complex and meticulous. In terms of pen holders, not only bamboo, wood (including rosewood, rosewood, etc.) and jade can be used in different ways, such as bas-relief, bas-relief, deep relief and openwork; even porcelain sculpture is no exception. For example, the drawing is a yellow glazed porcelain pen holder, which is transparently carved on the porcelain soil, and the ground is embossed clouds, all of which are vivid. The original intention of the craftsman is to use bamboo and wood for porcelain, and the carving technique of bamboo pen holder and wooden pen holder. The master's carving method is naturally fluent and free.

During the Qianlong period of the Qing Dynasty, Zhu Xi’s "Tao Shuo" recorded that the porcelain industry in the Qing Dynasty sought to be diverse and varied, and almost copied all kinds of distinctive handicrafts. He pointed out: "Jinjin, 镂银, 琢石, 髹漆, 甸甸, 竹木, 匏蠡 作, all are made of pottery, imitating and Xiao. Modern crafts such as Lu Zigang jade... Carved bamboo, ... are all gathered in the pottery."

Porcelain carving of bamboo carving utensils with more stationery supplies, the first pen holder, the second arm rest; not only the yellow glaze, the feeling of bamboo near the color, some utensils in the glaze with more delicate brushing bamboo silk.

In addition, some porcelain carvings are yellow glazed on white porcelain fired at high temperature, leaving white texture, which seems to have a layer and a sense of exquisiteness. Many Qing Dynasty porcelain sculptures are not only superior in technique, but also have no dazzling floating glaze; the luster is quiet and harmonious.

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