I am shocked by the Chinese classical furniture in the hands of foreign designers!

Chinese people are well aware of the elegance and charm of traditional Chinese furniture, but many believe that it can be difficult to innovate upon. However, when foreign designers get involved, they often bring a fresh and creative perspective. Inspired by the rich heritage of Chinese classical furniture, the interior design firm Obbolt Interior Design has created a series of remarkable pieces that blend tradition with modernity. Let’s take a closer look at their unique designs together. **One Leg Three Teeth with a Luopan Squat** ![One Leg Three Teeth with a Luopan Squat](http://i.bosscdn.com/blog/20150111.jpg) The designer took an old one-legged three-toothed case with a Luopan squat and transformed it. Instead of the original panel, they used plexiglass, adding two internal baffles for structural stability. Unlike its traditional counterpart, this piece isn’t just for display—it's fully functional. The combination of practicality and aesthetics reflects what today’s consumers truly value. By using real antique Chinese furniture as a base and infusing it with modern design elements, the piece not only honors the oriental style but also elevates its overall appeal. This fusion gives the design much higher artistic and experimental value. **Planed Circle Chair** ![Planed Circle Chair](http://i.bosscdn.com/blog/20/15/07/27_32222.jpg) This chair was originally a circular design, but the designer made a bold move by cutting it in half and reinterpreting it with contemporary elements. While still drawing on traditional Chinese furniture motifs, the focus here is on the sharp, square angles. The use of dark, aged wood contrasts beautifully with the clean lines, creating a striking visual effect that highlights both the material and the form. **Deconstructed Circle Chair** ![Deconstructed Circle Chair](http://i.bosscdn.com/blog/20/15/07/27_333.jpg) In this piece, the designer completely disassembled an old circular chair and reimagined it using plexiglass as a support structure. The original lacquered chair was opened up, revealing all its internal components and showcasing the intricate wooden joint system—known as "suo ma" (mortise and tenon). This technique fascinated the designer and became the core inspiration behind the work. By transforming an ancient piece into a modern art installation, the result is a beautiful bridge between past and present, celebrating the craftsmanship and mystery of traditional Chinese furniture.

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